St. Thomas Aquinas (c. 1225–74), held the basis of music to be mathematical; music displays celestial motion and order. Boethius (c. 480–524), was well suited to the wants of the church; the conservative aspects of that philosophy, with its worry of innovation, have been conducive to the upkeep of order. In the kinds of plainchant, melody was used for textual illumination; the configurations of sound took their cue from the phrases.
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In each historic period there have been defectors from one or more of these views, and there are, of course, differences of emphasis. Sextus Empiricus, who said that music was an art … Read More