Music For Every Mood

The mixture of workshops, customized instruction, scholar performances, school concert events, late night time jams, and delightful surroundings with new associates and mentors creates an inspiring and memorable week. As the variety of cases of the coronavirus (COVID-19) continues to rise, we stay committed to the health and security of our viewers which is of utmost significance to us.

Jazz Album Of The Month Maria Schneider Orchestra: Data Lords Review – Digital Dystopia In Jazz

The New Orleans Jazz & Heritage Foundation is the nonprofit that owns the New Orleans Jazz & Heritage Festival presented by Shell. We use the proceeds from Jazz Fest, and different funds, for year-spherical applications to help our music and culture.

We are intently monitoring health officials’ recommendations and thoroughly considering options with attendee security as a high precedence. At this time, the Telluride Jazz Festival is shifting ahead as planned. We will take all precautions and can implement safety measures that exceed the present mandated standards and protocol.

  • Armstrong, maybe more than any other musician, codified the rhythmic strategy of swing in jazz and broadened the jazz solo vocabulary.
  • Like Jelly Roll Morton, Armstrong can also be credited with the abandonment of ragtime’s stiffness in favor of swung notes.
  • New Orleans brass bands are a long-lasting influence, contributing horn players to the world of skilled jazz with the distinct sound of town while serving to black kids escape poverty.
  • The leader of New Orleans’ Camelia Brass Band, D’Jalma Ganier, taught Louis Armstrong to play trumpet; Armstrong would then popularize the New Orleans style of trumpet taking part in, after which expand it.

This was a drumming custom that was distinct from its Caribbean counterparts, expressing a uniquely African-American sensibility. By 1866, the Atlantic slave commerce had brought practically four hundred,000 Africans to North America. The slaves came largely from West Africa and the higher Congo River basin and brought robust musical traditions with them. The African traditions primarily use a single-line melody and name-and-response pattern, and the rhythms have a counter-metric structure and mirror African speech patterns.


The dB’s frontman strikes ahead into the past with this gorgeous evocation of late-night vocal jazz in the mid-century type. The lauded jazz pianist applies his ear for swinging, harmonic sophistication to the electric Rhodes keyboard. The saxophonist, his nephew Raw Poetic, Damu the Fudgemunk, and a band ship a seamless, inventive, and completely improvised jazz/hip-hop fusion. The trumpeter and his quartet reinforce the generally gauzy but all the time inseparable union of jazz and blues within the Black experience. Jazz Camp WEST is an eight-day jazz immersion program for instrumentalists, vocalists and dancers of all skill levels held within the stunning redwoods of La Honda, No.